If you’d like to work with me, please reach out to [email protected]

Here are some recent productions I’ve been a part of:

HIR

Wilbury Theatre, 2024

Reviews

The acting is excellent, especially Zach Gibb, who makes you feel his raging anger and confusion. […] in another scene a moment of violence resulting in a bloody nose is as realistic as I’ve ever seen on stage.

Warwick Online

It’s also in moments like these […] that some of the production’s best acting comes through. […] Gibb is at his best when his deep-rooted resentment for his father turns into empathy

Boston Globe

Witch

Burbage Theater, 2023

Reviews

The exchanges between Scratch and Elizabeth anchor the play, and Gibb and Daly animate them with bright energy that dances between playfulness and intensity.

BroadwayWorld

The devil, aka “Scratch”, is gleefully portrayed

Motif

I must single out MJ Daly and Zach Gibb for their moving scenes together. They make the witch and the devil real human characters.

Warwick Online

With discerning attention to emotion and pacing, director Allison Crews leads those fabulous actors to detailed, expressive and engaging performances. […] to give the devil his due, Zach Gibb is charismatic. 

Woonsocket Call

Junk

Burbage Theater, 2023

Red Velvet

Burbage Theater, 2023

A Midsummer Night’s Dream

Gamm Theatre, 2022

Reviews

The players – Bottom’s compadres – are first rate, with Zachary Gibb’s Francis Flute/Thisbe offering particular delight. Their rendition of Pyramus and Thisbe was ridiculous in just the right way. 

East Greenwich News

Speaking of the troupe rehearsing for the wedding […] both Tony Estrella (Bottom) and newcomer to Gamm Zachary Gibb are having the most fun; so much so that the rest of the troupe has much work trying to keep up.

Edge Media

Waiting for Godot

The Wilbury Theater, 2022

Reviews

Deeply intense and effectively disturbing

Motif RI

A word of praise to Zachary Gibb who plays Lucky on his nonsensical monologue that he delivers perfectly. […] The dance he does is very comical and brings the house down with laughter. A sort of salute to man’s inhumanity to man.

Theater Mirror

Gibb is given one monologue as the downtrodden Lucky, but he pumps it so full of energy and mania that it veritably explodes on stage.

The Providence Journal

But the performances by Richard Donnelly as Gogo, and Zachary Gibb, as the Auschwitz-like, put-upon slave Lucky, who is practically entombed alive all night, explodes with his “thoughts,” in a monologue that makes no sense while simultaneously revealing how his tragic personal arch was formed, are fabulous.

RI Central Newspapers

Whitehead and Gibb are both great physical actors; much needed for the master and slave roles. […] Lucky hunched over and breathless until he’s asked to perform for our protagonists. Both men own their scenes admirably. It is touches like this that make this “Godot” so watchable; a play in which nothing happens has never been so entertaining or seem so fresh.

Edge Media

You Got Older

Gamm Theatre, 2022

Reviews

Mae’s siblings […] all have wonderful presence, and the scene where they gather around their ailing father’s hospital bed is a marvel of subtly communicated family dynamics. […] There’s a beat where Gibb hands Tondreault an orange that is finely observed.

BroadwayWorld

Their banter feels natural and familiar, like any sibling reunion. 

Motif

Romeo and Juliet

Commonwealth Shakespeare Company Stage2, 2019